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The Higher Earth (Modern Composers)
The Higher Earth, the aggregationism, the Fine Arts, Beauty, Freedom, Purity, Passion, Gin..
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energy
the afffection of the energized
the aggregationism
CDAL
Classical music would be equivalent to Classical Physics
Jazz music would be equivalent to Relativistic Physics
The World would be equivalent to Quantum Physics
another structure in the respective order,
Classical music - determinism
Jazz music - determinism, indeterminism
The World - indeterminism, aggregationism, determinism
these notions together with an understanding of the mentioned philosophies/physical theories will help the measurer of my work with inserting it into a rational context (even if this is only applicable to the measurers from the machine era) and consequently provide him the awareness of the fact that while the result appears to be of an exclusively quantum nature its philosophy is one of a totally unificative nature as my concerns and existance are based on the aggregationism, a philosophical achievement that when allied to the future notions of singularity will be proved to be the last valid human philosophy, the one that killed physics.
The World represents the last valid human knowledge
[email protected], if you have anything you would like to discuss/share with me please e-mail me, we might be working on the same thing.
The World
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My piano impressions have to be heard from beginning to end, it is not music, it is music. The pleasure to observe everything, inside and out, to have audio information/data so descriptive of the transformations that took place in a defined section of time, in an undefined time that is by itself the support for a..hum..2004, funny..bye.. the ugly and the beautiful, the feeling of possession of the knowledge of the future of a system while in the present without any interference with the system's trajectory..hum..A very unique thank you to you Gin.

something:
'There is no formula that can deliver all truth, all harmony, all simplicity. No Theory of Everything can ever provide total insight. For, to see through everything, would leave us seeing nothing at all.' John D. Barrow (Theories of Everything)
everything may be and everything may not be "in this exposition of madness where time is my work's gallery". think.
understand what you hear, understand what you see, understand what you read, if you are the one than I must apologize for such reception but, as you may know, the public has to be informed about the "preciousness", nothing more adequate than duality in speech to filter most of those grains, as you know, as you may know. of frustration or wonder I just ask you to be the most rational possible when exteriorizing yourself.
of frustration or wonder I just ask you to be the most irrational possible when exteriorizing yourself.
of frustration or wonder I just ask you to be the most erectional possible when exteriorizing yourself. .
Thank you Stew for you referentials, support and worldclass website. they are all marked by and marks of you.

no creation, construction . deconstruction, destruction off
www.thehigherearth.com
A timeless review(mark) by Stewart(founder Mp3unsigned.com)
Review on "we are comtemporary, gentleman" by Lloyd Warren
Review on "study for an audiogram..." by Lloyd Warren
c h a n g e e v e r y t h i n g, e v e r y w o r d
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"more and more, there is always more.."(A. Passos)
there are some obvious asymmetries favouring the deconstruction(dissonance/agitation), the "HE" are elements energized to higher(higher than the enough for the appearence of "empty space") states of energy that make them enoughly visible, energized by the "free equals" that occupied a similar position to theirs although not yet with a meaning, which is only acquired when, with time and expansion, the elements occupy "empty boxes" through the same aggregationistic processes. much more in the structure as it is one of the frontal images of this very complex system, to be unveiled in the future.
© 2005 THE HIGHER EARTH. ALL RIGHTS RESERVED. |
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The Higher Earth Lists the following Influences
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Paulo Alexandre Da Silva on piano, his eyes, his genius, on physics, on life, his body, on philosophy, on structures, on numbers, on the way he marks himself. Them: Stanislav Szukalski, Schoenberg, Kandinsky, Rachmaninov, Debussy, Fantomas, Pier Paolo Pasolini, Marquis De Sade, M.C. Escher, Bohr, Schopenhauer, The Doors, Tool, Emperor, Einstein, John Cage, Salvador Dalí, Szpilman, Love is the Devil:Study for a portrait of Francis Bacon, 120 days of Sodom, A Clockwork Orange, Life is Beautiful..
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