35 year old solo artist from Naptown
Click below to like this Track:
Paris - Departed
Never did comment on this Jeremy. Lovely piece of music. From solo artist to soundtracks, you are one of the best...
Beautiful passionate work! Must say that Im with you on this one...the horror of crimes such as this inflames the blood. We dedicated "human Race" for the same sad reason. Lovely tune... A little short...only because I wanted more :) K
liked reading your artist comments...identifying with those who suffer is passion..Je suis Charlie ... et Paris ... et tous ceux qui souffrent...your music touches this so well :)
Hola!
So yeah, ... It's come to my attention that some people really believed some of the things that my last bio spoke of...So here goes:
1.) I currently don't have 1,973 girlfriends in the United States.. Nor do I cheat on them with the one I have in Canada, thus making it 1,974,...so it's not really cheating.
2.) Never have I once, found myself incapacitated in a pool of free-based heroin at Ozzies.
3.) I have, (to my knowledge), NO tattoos of demons with breasts on their foreheads, anywhere on my body.. Yes that includes my right buttcheek.
4.) I DO like beer, that part was true,... however I do NOT, heat it up in the microwave.
That should cover the sum of it.
THE REAL BIO OF JEREMY WOODS:
I am currently 26 years of age. I am the only child and product of two musicians that played everything from Rock to Gospel. And a closet with a collection of over 1,000 (vinyl) records in all. You can quote me on that one. I started drums when I was probably five.. My father had a garage band, I was fascinated with beating the hell out of things. I couldn't reach the pedals though, so I used to sit on his knee and play with my hands. I learned I could beat the hell out of things in 4/4 pretty good. (So there was rythm there...hmm.)
Long about two years later, when I realized everyone in the world was playing guitar, and the only way to make friends was to do the same, (this being because there was a different guitarist in and out of the garage almost everynight), I found a second generation beater in the spare bedroom that had strings on it created from remnants of the Civil War. (old) Nobody really had much time to teach me chords, we were pretty poor then as well, so I didn't get to take lessons. I sat out in the garage off to a corner and watched with my guitar... I noticed redundancy in the finger placements and did a kind of process of elimination, until it sounded good. Eventually I'd get a chord here and there taught, and I really didn't know what they were until the years went by. The better I got, the more Mom noticed.. I grew up learning in the eighties as well... We know what happened to all those guitarist... ( however don't get me wrong, put the crappiest guitarist from the eighties up against one of the best of today, ..they'd get their *ss handed to them.)
I think she knew then hairmetal would die. So out came the records from her day. Hendrix, James Taylor, Clapton, Doobies, The Who, Zeppelin, Bowie, Dylan, Mitchell, The Eagles.. You know, the roots man..the roots. She said she'd play hell before I was a shredder. I think the first song I learned was fire and rain.
ONWARD CLAPTON
Yes this is, and still remains, the single most influential man behind my muse. I believe there's a critical time in the learning process called, "Interest". Whether you keep enough of it or not to proceed to the next level depends highly on the fire and how high it burns.. You always have to add something to keep it going. The biggest brush on the flame for me was Eric Clapton. But we won't get into that. I'll sum it up with one word..."soul".
ONWARD ZIMMER
When I was about 14 I heard the ending credit score to "Rain Man". Composed by Hans Zimmer. Back then I loved it. I still love it now. I began to follow up in interest to Film Composing and learned about Hans' technique to film. I bought a keyboard for a hundred bucks, and learned piano. All the more in a classical aspect, it all binds together for this highly orchestrated approach to songwriting I acquired,... when I actually started writing my own material.
ONWARD NAVY
My parents got divorced when I was 17. I stayed home with dad to finish my high school in my home town.. That wouldve been too weird to pick up my last two years somewhere else. After I graduated, let me just say the only two things that came successful out of Indiana were Axl Rose, and John Mellancamp. Though even then, they didn't make it here. So, Not having the money to go to college, I signed up for the Navy. Over the next four years, I moved to Virginia Beach, and met a slew of great musicians out there. The scene was awesome. I eventually met two band members I'd call friends, one of which just happened to be from home in Indiana. A Drummer and a Bassist. I played Guitar, Piano, and Played the front man. The more we played, the more we realized, we were good enough to do our own thing. So we began writing. The first song we wrote was called "vague", sometime in the near future, I'll release that here on the page. From then on songwriting began clicking more and moreso than the one before.. Eventually they were discharged from the Navy and left. I kept doing my own thing in Virginia. Open Mic nights, ships band on deployments overseas.. My last gig with a band was one formed onboard my Carrier USS George Washington. Three Doors Down came aboard and put on a concert off the coast of Lisbon, Portugal and we got to open up for them. Great group of guys.
OUTWARD NAVY
I was honorably discharged from the Navy in January 2003. I came home with the promise of a job that fell through. Though I still write to this day regardless. I think my overall goal in this is to eventually be a film composer. For now however, I love writing whether it be songs or cues. If someday God deem it I have a major distribution deal, what a dream come true,.. but, if not,... I believe he gave me a gift to call my own. ( I keep trying though:) I don't have a band, so I do everything from conception, to performance, to mixing, to your ears for now. Many hours of time consumption.. But I love the pay-off. In the end it boils down the love of the art, for better or worse, for millions or for beans.
peace
jeremy
Back in the 1950s, the Retail Price Index included ground coffee as one of the basket of goods which it tracked. By the 60s and 70s it had been replaced by instant coffee, a position which has only recently changed with the resurgence of “proper” coffee caused largely by the ubiquity of firms like Starbucks and Costa coffee on the high street and the availability of machines like Nescafe’s “Nespre
I found this song to be very refreshing. The voice and song sounded a little like Nickleack, and thats a complement in my eyes. Ilke the guitar work in this song as well as the chourus and bridge. It's funny but this is the very first song that I listened to when I cam to this site for the first time and I can't help but coming back to listen to this song. Great work jeremy.
I've been playing this over and over this afternoon,excellent vocals, atmospheric,your voice is very John Martinesque,the guitar solo is spot on,overall a very soulful rock song.More in the same vein please. chris.t (bouski)
Set It Off by Jeremy Woods Hello, with all this introduction rubbish! The first thing that strikes me, and I'm a sucker for detail, is the fact that there's vinyl-crackling, coupled with a very clean-sounding guitar! I don't get that! If I hear crackle, I expect deliberately poor quality sound! If it sounds clean, it defeats the point of having the crackle there! Anyway, to the track as a whole
For those of you who don't know me I'm half of the duo Serenity (vocalist) here at Mp3unsigned. The first song I listened to this morning was by a young talented musician/vocalist by the name of Jeremy Woods. I've spoken to Jeremy on the boards occasionally and he comes across as a very genuine character with a great sense of humour. I know Jeremy has impressed many listene
This track opens with a guitar riff which is slightly dissapointing as it uses a simular standard note sequence that I have heard before. The recording of this guitar is spot on however and I can say that the other elements of this piece have been recording with the upmost care and attention. Obviously a studio job rather than a bedroom atempt. The guitar is joined by an accoustic guitar which